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Review Date: 11/28/2008
The Good Animal
Citizens of Bongo Congo have petitioned King
Leonardo to direct me to review a comic more
relevant to their jungle nation. As
such, the King has once again proclaimed
it to be Super Heroine Week, and declares
that we begin with the following jungle
review: |
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Jungle
Girl-Season 2 #1
Publisher: Dynamite Entertainment
Frank Cho: Plot and Cover
Doug Murray: Script
Adriano Batista: Interior Art
Frank Martin: Colors
Zachary Matheny: Letters
Genre: Adventure/Thriller
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Dynamite Entertainment has just published
issue #1 of the second season of Jungle Girl.
Created by Frank Cho, the issue is written
by Cho and Doug Murray, with a Cho cover and
interior art by Adriano Batista.
Jana The Jungle
Girl lives in an unnamed jungle typical of
many comic world settings, in that while the
setting is 2008, its populated by a wide assortment
of dinosaurs, prehistoric giant mammals
and cavemen. In the Season One storyline,
Jana meets a crashlanded plane of modern world
adventurers and helps them cope with
finding themselves in this science fictional
setting.
As I mentioned a
few weeks ago in my Hulk #7 review, I'm
a huge Frank Cho fan, and was drawn to this
comic when I saw it on the That's Entertainment
new issues wall because of the excellent work
Cho produced a few years ago in drawing and
writing his interpretation of Sheena,
the classic icon of jungle girl comics.
This Season Two premiere
issue of Jungle Girl begins with Jana,
her friend Togg the caveman and Mike, one
of the stranded outworlders, witnessing the
distanced jungle crash of a space shuttle.
The rest of the issue focuses on the various
jungle dangers that the trio face as they
attempt a hike of several days to the shuttle
crash site.
This comic is extremely
well-drawn, but there's not much of a plot,
here. After page one portrays the
trio witnessing the far-off shuttle crash,
Cho and his creative team just give us 21
pages of three types of scenes: the trio carefully
trekking through the dangerous jungle, the
trio alternating between battling jungle beasts
and quietly avoiding jungle beasts, and
the two guys drooling at Jana when she unwittingly
and repeatedly strikes a pose in her
barely there, hand-made leopard string
bikini.
On the one hand,
this comic should rate a thumbs-down given
that the plot is as thin as Jana's bikini.
But on the other hand, that's exactly what
jungle girl-type comics are supposed to be:
really light-on-story comics that highlight
the art and scenery, whether its the magnificent
jungle animals, breathtaking natural vistas
or the stereotypical cheesecake girl.
Its not fair to compare it to one of Cho's
Sheena issues, because he was really building his
interpretation of the most established Jungle
Girl-type character of Sheena, that had
decades to develop into the premiere, stand-alone
icon of the jungle genre with a higher-than-average character
and substance.
As such, a thumb,
or actually "paws-up" from our assembled Bongo
Congo citizens for this issue as an entertaining,
albeit typical issue of this type of adventure/thriller
comic book.
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She-Hulk
#34
Publisher: Marvel Comics
Peter David: Writer
Vincenzo Cucca: Penciler
Vincenzo Acunzo: Inker
Barbara Ciardo: Colorist
Dave Sharpe: Letterer
Genre: Superhero
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The current run of Marvel's She-Hulk is at
issue #34. I was a faithful reader of
this comic in its first Eisner award-winning
year, and looked forward to revisiting it
this week to see how its been holding-up.
Lawyer Jennifer
Walters has the ability to transform into
She-Hulk due to a blood transfusion from her
cousin (guess who!) Bruce Banner, the Hulk.
After bouncing around the Marvel Universe
for over 25 years, Marvel began a new She-Hulk
storyline that's now up to the current issue
#34.
The first 12 issues
put a fresh and humorous face on the She-Hulk
franchise, centering on Jennifer's legal work
in the Superhuman Law Division of a New York
law firm. It was an extremely fresh
and funny spin on comic plotting; picture
one of the law firm-based television dramas
with both good and evil superheros as clients
and you have an accurate idea of how the storyline
was structured.
As issue #34 shows,
a lot has changed for Jennifer in a few years.
She's no longer a practicing lawyer, instead partnering
as a bounty hunter with a female Skrull partner
named Jazinda. In this issue, Jennifer
assembles Jazinda, Valkyrie, Thundra and Invisible
Girl Sue Storm into a team known as the Lady
Liberators. The plot centers on the
team planning and beginning a mission
to the third world country of Marinmer to
force that country's dictator to release withheld
earthquake disaster aid to his suffering subjects.
Initially, I was
very disappointed that the superhero law firm
world is now history in this comic, and I
was apprehensive that the comic might
have taken a turn for the worse.
Luckily, I was happy to find that the quality
writing that made She-Hulk a premiere hit
three years ago is still front and center
here. Writer Peter David maintains the
same successful balancing act of equal parts
comedy and timely drama. The comedy
in this issue works well in providing
both Valkyrie and Thundra, two starchy and overly-serious
characters, with a goofy side to their personalities.
The serious plot thread addresses the too-real
problem in our world of oppressive regimes sometimes
withholding disaster relief from their
own populace. Its clear that the fictional
"Marinmer" is based on last year's real situation
of the military regime of Myanmar, formerly
known as Burma, withholding international
disaster aid from its own population after
a devastating earthquake.
The basic plotline
here is not brand new; many comics over the
years have given us stories of superheros
frustrated by world political and social problems
to the point of trying to break through the
bureaucratic system and take matters into
their own powerful hands. The quality
of this particular effort at this theme is
good enough that I for one want to stick around
and see how it plays out. My fellow
reviewer Dave LeBlanc tells me that Marvel
is scheduled to end this current run of She-Hulk
at #36, so this is basically a three-issue
storyline. My recommendation is to definitely
read issues #34 through #36, then enjoy the
previous issues in the graphic compilation
volumes that are currently available.
So an enthusiastic
paws-up from the assembled citizens of Bongo
Congo for both of this week's Superheroine
issues. See you
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CONTEST
WINNER ANNOUNCEMENT!
This week's Bongo Congo
contest judges (King Leonardo, True Blue
Odie and the King's Cousin Itchy) have
finished reviewing the few entries received
for favorite comic issue of the 1990's.
First, a well-deserved Honorable Mention to
my fellow reviewer Dave LeBlanc, who provided
the following eloquent remembrance of one
of his favorite 1990's comic issues, Kurt
Busiek and Alex Ross's groundbreaking Marvels
#1:
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This took a lot of thought.
The basic problem is there are too many comics
in a ten year period to remember them all
or pick a best. After scanning a few sources
to jog my memory I came upon one I thought
fit the bill. It is MARVELS #1.
I remember this series
and still have it in my collection. At
the time there was so much about it that
just blew me away. It had high production
values - the painted cover with the clear
plastic overlay made it stand out from
everything else. The story from the point
of view of the everyman Phil Sheldon was
so refreshing at the time. He gave us
the perspective we might have if we actually
saw heroes flying around. It introduced
me to Kurt Busiek who right from the start
show an immense knowledge of the history
of the Marvel Universe and great respect
for it. Likewise Alex Ross began his triumphant
rise in prominence with this series. It
really reads well, looks well and remains
a key series in the careers of two creators
still producing quality work today. This
came out in a time when we did not has
as much advanced information about upcoming
comics. Just the impact of that first
cover made you want to pick it up, even
if you were not a big Marvel fan, which
I was not. Once you did, you were hooked.
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And now on to our winner, who is (Royal
Drumroll, please)...Andy Tarascio, who submitted his
favorite 1990's Fantastic Four issue, which
he describes as follows: "Galactus was eating
everything in sight and never satisfied.
At the end, he activates the ultimate nullifier
to save everyone. There was an alien
woman who could take over bodies. There
was Thor versus Gladiator."
Lots of classic Fantastic Four action jam-packed
into that issue. Since Andy couldn't
recall the exact issue number, the Royal Judging
Committee hereby offers a half-prize of a
$5.00 That's Entertainment gift certificate
to anyone who identifies the exact issue number
no later than next Friday, December 5.
And don't forget, you have one more week to
submit an entry to our week-old ongoing contest,
your favorite work of comic genre fiction,
anything from a novel to a short story!
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