Harbinger #1

Publisher: Valiant Entertainment LLC

Joshua Dysart: Writer

Khari Evans: Art

Ian Hannin: Colors

     Valiant Entertainment is up to issue #2 of a new science fiction thriller comic book series entitled Harbinger.  I backtracked to last month's kick-off issue #1 for this review, in order to get a better feel for the concept of this series.  The comic book is scripted by Joshua Dysart with art by Khari Evans and colors by Ian Hannin.

     Issue #1 kicks-off a multi-issue storyline entitled "Omega Rising." The plot introduces us to a story concept centering on psiots, rare humans who have both telepathic ability and can make people do whatever they want them to.  Our main character is Pittsburgh teenager Peter Stancek, on the run from bad guy forces who want to harness his abilities for their own unknown purposes.  The issue #1 plot is an orientation to Peter's difficult situation, in which he struggles with three challenges: staying ahead of his pursuers, stealing prescription medication to dampen the uncontrollable flood of random people's thoughts bombarding his brain and helping his buddy Joe, a mentally ill non-psiot teen who accompanies him on his desperate flight from evil.

     A second sub-plot develops mid-issue, introducing two additional characters into Peter's life.  There's Kris, a childhood crush upon whom the lonely Peter desperately uses his powers to falsely love him and there's middle-aged Toyo Harada, the head of a vast Asian business corporation and a fellow psiot.  Without being a detail spoiler, Harda reaches out via his powers to Peter from across the globe, educating both Peter and the reader regarding the scope of their abilities and the possibilities of Harada both helping Peter with his problems and partnering with him to do some good in the world.  The issue ends in a dramatic bridge to issue #2, as the bad guys seemingly corner Peter and Joe in a cliffhanger confrontation.

     Initially, I questioned whether the creative team could offer a fresh and entertaining spin on the oft-presented, well-worn theme of a teenager struggling to control telepathic powers.  Happily, the crew delivers that entertainment; writer Joshua Dysart weaves together several plotthreads that provide the necessary freshness, with two storylines particularly worthy of mention.  The first is the mystery of psiot Toyo Harada, who we learn about both in flashback and present-day scenes.  My guess is that he's a legitimate good guy and mentor to Peter, but there's an aura of mystery about him that could take his character over to the dark side.  There's also the theme of ethics here, as Peter has immorally used his powers to falsely make his crush Kris love him.  In issue #1, Harda confronts Peter regarding the sleaziness of this action and it should be interesting to see how the comic book addresses this weighty ethical issue in future story segments.

      In sum, a positive thumbs-up review recommendation is deserved of this new science fiction comic book, which succeeds in presenting both a fresh plot and entertaining approach to the theme of folks struggling to control and use their rare and special powers, not as costumed heroes but rather in the context of the everyday world.

Planetoid #1

Publisher: Image Comics, Inc.

Ken Garing: Story & Art

     Image Comics has released two issues so far of a new comic book entitled "Planetoid."  As with the Harbinger title reviewed above, I reviewed issue #1 in order to get the best feel for the concept of the title.  The new series is the creation of Ken Garing, who apparently worked for years creating this title as an independent project, then pitched it at a comic book convention to Image Publishing and was accepted for publication.  This is a great story reaffirming that one should always follow their dreams and creative aspirations, for you never know just how and when your efforts will succeed.

     Planetoid is a traditonal hard science fiction outer space adventure series.  The plot centers on space voyager Silas, a space military deserter who crashlands on a small planet (planetoid) after his attempt at space piracy goes awry.  The story begins cloaked in mystery, as Silas explores the weird environment of vast technological debris and wreckage littering the entire landscape of the small world.  In the midst of some heavy duty action-adventure, Silas is rescued from harm by Mendel, an elderly fellow castaway who explains that the junk world is an abandoned industrial colony.  Mendel also reveals that there's no way to leave or communicate off of the planetoid, due to its odd electromagnetic atmosphere, whose radiation interferes with all such attempts.  By the end of issue #1, Silas is determined to try to reach other humans whom Mendel indicates live on the planetoid and to find a way off of the small planet.

     I'm always leery of comic book products that begin with an unknown creator plucked out of the convention attendee ranks for a rare chance at professional achievement (see my review of Captain Marvel #1 in last week's review column).  So its always a pleasure to come across the unexpected effort that produces such a top notch product as Planetoid.  Quite simply, newcomer Ken Garing has produced a comic book with the skill of a seasoned comic book industry pro.  The story structure and characterization is the equivalant of the better written science fiction magazine short stories. Garing shows a strong skill in detailed storytelling, deftly utilizing narrative and visual flashbacks to fill the reader in on backstory elements that are important to the plot situation. The artwork is both beautiful and the perfect visual style suited for this type of outer space sci-fi adventure telling.

     This new comic book just brims over with storytelling potential, ranging from hints of artificial intelligence lurking deep within the depths of the planetoid's junkpiles to Silas's upcoming interaction with his fellow castaways and his only friend Mendel.  So whether you're a hard science fiction fan or just looking for entertaining comic book storytelling (or you're looking for a combination of both!), don't miss-out on the chance to be entertained from the very beginning of this excellent new comic book adventure series.

Dial H #4

Publisher: D.C. Comics

China Mieville: Writer

Mateus Santolouco: Art

     DC Comics is up to issue #4 of its "Dial H For Hero" reboot that's being published as part of the second year of the New 52 rebranding of their comics line.  For the uninitiated, the series originated in the Silver Age House of Mystery title.  That version starred Robby Reed as a teen who discovered a mysterious phone dial that transformed him into a different superhero everytime he dialed the letters HERO. Robby is replaced in the title reboot by an overweight and unemployed character named Nelson Jent.  The original series was popular for Reed transforming each time into a fresh hero whose identity, costume and powers had to be created with each new monthly issue.  The reboot shortens the series title to simply "Dial H" and is written by well-known British science fiction author China Mieville with art by Mateus Santolouco.

     Issue #4 is the latest installment of a multi-issue story arc that has a very strong science fiction theme.  The story initially focuses on Squid, an alien unstuck in time who is adrift through various timelines and dimensions until corralled into our timeframe by a supervillain.  To make a long story short, Squid is psychically tied to a weird being of immense power.  When our bad guy attempts to control this powerful being, Nelson Jent steps-in with the assistance of a female character who also has her own Dial H device.  Without being a story spoiler, everyone invlolved in this situation battles through various ups-and-downs, with the story segment ending in a battle cliffhanger to be picked-up and continued in next month's issue #5.

     I'm giving this comic book a well-deserved mixed review.  On the negative side, the first half of the story segment is incredibly muddled, to the point where a reader who hasn't read the previous title issues has no idea what is going on.  While China Mieville is an acclaimed science fiction author, he's also known as a proponent of a new subgenre called "Weird Science Fiction," and the abstractness of his unique narrative approach is disastrous for the reader to figure-out what's going on here.  On the plus side, the story narrative clouds suddenly dissipate mid-issue, and for the second half of the tale we have a somewhat understandable and interesting story sequence.  I particularly enjoyed Nelson Jent's ability to improvise and prevail in a tough situation when denied access for a time to his superpower dial.  Its clear that given enough time and monthly issues, some of the storytelling in this title could effectively explore the transformation of Nelson from his life of Everyman failure to actually succeeding in his non-superpowered life.

     In the end, the out-there writing style of China Mieville just doesn't sync well with the concept of Dial H, as evidenced by the disconnection of the first half of the tale with understandable comic book storytelling.  So I'd urge readers interested in judging this series for themselves to gain some semblance of plot understanding by starting with issue #1 of this series.  And my review advice to DC Comics is two-fold: first, add a brief narrative story-to-date summary to the start of each monthly issue and secondly, ditch the high concept/attempt-to-be-edgy writing approach by replacing China Mieville with a writer who can provide this series with the much-needed comic book storytelling quality that the rich history of Dial H For Hero, as well as its old and new fans, rightly deserve.

Resurrection Man #12

Publisher: D.C. Comics

Dan Abnett & Andy Lanning: Writers

Javier Pina: Artist

Jeromy Cox: Colors

     Another science fiction-themed comic book within DC's New 52 inventory is Resurrection Man.  The series is a reboot of the initial 1990's title run.  It features Mitch Shelley, a South Carolina lawyer who has nanotechnology called tektites injected into him by a mysterious group known as "The Lab".  The technology allows Mitch to repeatedly rise from the dead with a new superpower with every experienced mortal incident.  The current series is scripted by original series creators Dan Abnett and Andy Lanning, with art by Javier Pina and colors by Jeromy Cox.

     Issue #12 is the latest installment of a multi-issue story arc entitled "The Reborn Identity."  At this point in the series, Mitch has been kidnapped by The Lab and forced to undergo a brutal series of virtual reality deaths to analyze the nature of his tektite-fueled power.  We learn that The Lab is filled with various employees who also are Tektite-infested but who each manifest various afflictions caused by the nanotechnology.  The plot shifts mid-issue into high action, as a pair of employees sympathize with Mitch's predicament and attempt to rescue and release him from captivity.  Without being a detail spoiler, the issue ends in a dramatic cliffhanger as the identity of the mysterious leader of The Lab, who also initially created Mitch's condition, is dramatically revealed.

     This is a very intriguing science fiction comic book concept presented in a very entertaining manner.  I thought of the concept as a spin-off from the Dial H plot idea reviewed above, albeit with the hero's repeated deaths triggering the random superpower guises instead of the simpler act of dialing a phone.  The creative team's product is strong and effective, with excellent artwork suitable to the thriller/action nature of the story and gripping action plotting from the team that created this character back in the 1990's.  There are two particular surprise plot twists that are outstanding: the presentation of Mitch's virtual reality plight, which is initially presented as a real world scenario and unexpectedly revealed to be fictitious, and the cliffhanger reveal of the chief villain behind all that is happening in the Resurrection Man storyverse.

     The ultimate complement to this issue is that its quality made me, the first-time reader, want to backtrack and read previous issues to enjoy the story progression leading-up to the details presented in issue #12.  So an obvious thumbs-up positive review recommendation is deserved for all Good DC Readers to do the same, enjoy issue #12 and if you haven't already done so, backtrack your way through the That's Entertainment inventory to check-out the previous issues, as well as issues from the initial 1990's title run.